Short answers to the things readers, programmers and first-time contributors ask us most often.
Who actually writes Ennead Cineplex?
A small crew of projectionists, festival volunteers and film-school graduates, mostly based around Braamfontein, Rosebank and Maboneng. Every piece carries a byline, and if a contributor only helped with research or a transcript edit, we say so.
How often do you publish?
Weekly. Some weeks it is a viewing diary from a repertory season, other weeks an interview transcript or a breakdown of an editing decision. When a midnight marathon runs long, the write-up sometimes slips by a day.
Do you only cover 35mm and repertory screenings?
No. We write about digital projection just as often, including the quirks of DCP delivery, sound-mixing choices and the small failures that only show up in a full room. Format matters less to us than what the screening actually asked of the people running it.
Can I send a screening note or pitch a piece?
Yes. If you shoot, program or simply watch films in Gauteng, send a note about a screening you attended or a pitch for a longer piece. We read everything, though we cannot always reply the same week.
Do you credit contributors and interviewees?
Always. Directors, colourists, booth staff and volunteers are named at the end of the piece unless they ask otherwise. Transcripts are edited for length and clarity, and we note where that editing happened.